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As a child I studied painting, sculpture, music, writing and photography.
I figure film directing would combine all of those because I didn't
want to give one up.
No a mentor as a director but several mentors as a writer. Three famous
writers I studied with. Joan Tewksbury (Nashville), Dalmiro Saenz
(Argentinean writer) and John Rechy. They all have something on common,
they are rich in words, like a French chocolate desert.
They inspired me because of their point of view of story and how they
approached it. Each has his or her own style and I realize finding
your voice is what going to make you stand out from the crowd. When
a story teller has done several works of art, you can tell that they
were always same the same thing in different way or stories. That
what you have to find, the one thing that you came to the world to
say.
Crazy. I'm 24-7 in pre production even if I'm not shooting. I go out
and I see every place as a possible location. But when shooting is
real.
You plan your day, but you sort of have to change it as you go along
because you are constantly ditching new problems. That's the fun part.
It's a like a chess game, you need to use your brain to readjust your
schedule and ideas.
40hs week? Try more like 80 hour week. I'm not kidding. I would shoot
14 to 16 hours a day including Saturday and Sunday is not off. God
has to wait until you finish shooting.
Your brain. Trust what you know.
Dealing with actors because they are human being. You can plan what
they are gonna do or how they are gonna feel. But I like tough. I
like challenge.
When people laugh at your jokes or they go "mmmm" like they
got it.
Study, watch films, read, travel, go to museums, listen to music,
write every day. Make something of your taste.
Studios, development people. You have to pass lots of filters before
you get to someone who can actually make it happen.
Write a good script.
This years trend is Latino and comedies. But they are just trends,
you should write what you. Now if you are a Latino who write comedies
this is your year.
Yes. You can edit at home and make your own movies and to do research,
the Internet is awesome.
I would like to have an extra brain and an extra life so I could make
more movies.
I like cutting photos of magazines and doing collages to show my DP,
production designer and make-up artist. I learned this from doing
commercials. Then everybody know exactly what you want instead of
wondering what you meant by vague words like "nice."
I've been told that I'm tough. I remain distant I guess and try to
keep professionalism in the set, so it doesn't affect me emotionally.
On one set once people called me "sir."
Pedro Almodovar, Tim Burton, Terry Guilliam.
The 35mm feature film "The Woman Every Man Wants." It comes
out on video and DVD in the summer by a distribution company called
Vanguard.
Magical realism, dramas and comedies. Visually challenging films.
It's an incredible feeling, specially in a big theater with a big
screen. You feel like the communication process has come to an end
and what you wanted to say it's out there. You feel completely naked
and great at the same time.
I have trouble finishing things. I always want to rewrite them or
recut them. In my novel that is already published, there is a word
that I hate. That word haunts me.
Some encourage me, some wait for me to get a real job and some criticize
me in a way that bother me but make my story better. I only pay attention
to the ones that help my career.
Find your voice, your style, your palette of colors. It could be anything.
Mine is orange. www.thewomaneverymanwants.com
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